![]() The story, he says, “advocates for a life of the mind. He’s been talking about Matilda for more than a decade and is not bored of it yet. On stage in London he welcomed the audience with the line: “If you’re a right-wing conservative and you’ve stumbled in here tonight expecting the hits of Matilda… I hope at some point in the evening I manage to penetrate you,” which met low laughter. He’d seen, he said, “dangers ahead” fame didn’t suit him. His recent tour was called Back – it was his first since quitting touring in 2010 for reasons of “temperance”. Stage and screen: with the cast of the Royal Shakespeare Company’s production of Matilda. Today, Minchin has flown in to talk about the film, a vivid and gorgeous adaptation by Minchin and the theatre team, starring Emma Thompson as a hulking Miss Trunchbull. ![]() The show was a hit – a proper dark and artful phenomenon. His life shifted with it – he moved with his family from Melbourne to London to LA (where he spent four years working on an animated film that was rudely canned), and then back to Sydney. ![]() In 2009, when he was 35, the RSC invited him to collaborate on an adaptation of Roald Dahl’s Matilda, and his career shifted to include composer of multi-award-winning musicals. Minchin is a musical comedian who dissects ideas of romance, monogamy and faith during “logical philosophy lectures described as cabaret shows”, in eyeliner, big hair and bare feet. And then he tells me and I have to hold my breath to stop myself crying again. “Shall I tell you why?” asks Tim Minchin the next day, leaning forward over a precarious little table of tea. A screening of a kids’ film, 8.30 in the morning, a musical for Christ’s sake, and out of nowhere, I was crying.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |